Oct 16 2007
Contracting Existing Music for Use in Films
Joel C. High, a music supervisor based in Los Angeles, CA, discusses the process behind organizing and clearing the licenses for existing works of music that are used in a film or television project, and why if his job isnt done exactly right, production on a $100M film can come grinding to a halt.
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Posted in Contracts, Joel C. High - Music Supervision, Licensing, Music Supervising, Negotiating, Organizations, Production, Royalties, Songs in Films, Television, What it Takes on Oct 16 by admin
Contracting, High, Joel, Licensing, Music Supervisor, Negotiating, Organizations, Production, Royalties, Songs in Films, Television, What it Takes
This entry was posted on Tuesday, October 16th, 2007 at 12:00 am, by admin,
and is filed under Contracts, Joel C. High - Music Supervision, Licensing, Music Supervising, Negotiating, Organizations, Production, Royalties, Songs in Films, Television, What it Takes.
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Using Original Music vs. Existing Music in Films
Altering Existing Music Used in a Film
How Does Music Get Used In Films?
How a Music Supervisor Finds Music for Films
What a Music Supervisor Does
