Sep 19 2007
New Orleans Blues Piano, Part 5 of 6-Jelly Roll Morton and the Cuban Connection
Blues pianist and songwriter Jon Cleary continues his discussion of the New Orleans blues piano style with a showcase of Jelly Roll Mortons tune The Crave and drawing a connection between that song and the Cuban and Argentine rhythmic patterns that would ultimately become the tango and the danzón.
Popularity: 1%
Posted in Blues, Jon Cleary - Blues Piano and Songwriting Technique, Music Theory, Piano, Songwriting, World Music on Sep 19 by admin
Argentine, Blues, Cleary, Cuban, Danzon, Jelly, Jon, MOrtons, Music Theory, Performance, Piano, Rhythm, Roll, Songwriter, Style, Tango, The Crave, World Music
This entry was posted on Wednesday, September 19th, 2007 at 12:00 am, by admin,
and is filed under Blues, Jon Cleary - Blues Piano and Songwriting Technique, Music Theory, Piano, Songwriting, World Music.
You can follow any responses to this entry through the RSS 2.0 feed.
Both comments and pings are currently closed.
Print This!
-
New Orleans Blues Piano, Part 1 of 6: James Booker and the New Orleans Blues
-
New Orleans Blues Piano, Part 3 of 6: Professor Longhair, Caribbean Music and The Junker
-
New Orleans Blues Piano, Part 4 of 6: Professor Longhair and the Rumba
-
New Orleans Blues Piano, Part 6 of 6 – Boogie Woogie Improvisation
-
Loyola University Forum in New Orleans Blues Piano and Songwriting Technique with Jon Cleary
